Find a show
late twentieth century
The Magnificent Musical Magic Show
Listen to the story
Narrated by Dominic
Hot pink, electric blue, a floating light bulb, and a signature. Restraint was not invited, which seems fair.
01
This late twentieth-century design uses airbrushed illustration, neon color, and collage. Blackstone’s face dominates the center while a light bulb, assistant, flowers, cards, and costume fragments orbit him. It is spectacle translated into the commercial graphic style of its own era.
The piece displayed at Poe’s Magic Theatre is a reproduction, as are most posters in this exhibition. Its special feature is the autograph across the lower margin. The signature gives this copy a direct personal connection to Harry Blackstone Jr., even though the printed image itself is not a rare original sheet.
This displayed poster is a reproduction signed by Harry Blackstone Jr. Most posters in the exhibition are high-quality reproductions, allowing visitors to study important designs without exposing fragile originals to permanent display.
02
Harry Blackstone Jr. carried his father’s famous stage name into a different age of American entertainment. He preserved large-scale classics such as the Floating Light Bulb and the Vanishing Birdcage while bringing illusion to television, Broadway, touring theatres, and school programs.
The poster’s crowded surface suits that inheritance. It is part family history, part modern show business, and part visual promise that something large, bright, and probably airborne is about to happen.
“The Magnificent Musical Magic Show”
Welcome to the Magic Poster Tour at Poe’s Magic Theatre, inside the historic Lord Baltimore Hotel.
This stop features Harry Blackstone Jr., a late twentieth century piece billed as “The Magnificent Musical Magic Show.”
This late twentieth-century design uses airbrushed illustration, neon color, and collage. Blackstone’s face dominates the center while a light bulb, assistant, flowers, cards, and costume fragments orbit him. It is spectacle translated into the commercial graphic style of its own era.
The piece displayed at Poe’s Magic Theatre is a reproduction, as are most posters in this exhibition. Its special feature is the autograph across the lower margin. The signature gives this copy a direct personal connection to Harry Blackstone Jr., even though the printed image itself is not a rare original sheet.
This displayed poster is a reproduction signed by Harry Blackstone Jr. Most posters in the exhibition are high-quality reproductions, allowing visitors to study important designs without exposing fragile originals to permanent display.
Harry Blackstone Jr. carried his father’s famous stage name into a different age of American entertainment. He preserved large-scale classics such as the Floating Light Bulb and the Vanishing Birdcage while bringing illusion to television, Broadway, touring theatres, and school programs.
The poster’s crowded surface suits that inheritance. It is part family history, part modern show business, and part visual promise that something large, bright, and probably airborne is about to happen.