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Black and white Brindamour handbill for an engagement at the Woonsocket Opera House
Reproduction displayed at Poe’s Magic Theatre Tap to open full image

circa 1900–1910

Brindamour

The World Renowned Magician

World renowned, most costly, greatest of its kind. The printer has wisely left modesty off the bill.

Watch the poster story

Narrated by Dominic · Poe’s Magic Theatre at the Lord Baltimore Hotel

Watch on YouTube · Timestamps and references

01

The artwork

This horizontal handbill uses heavy black display type, a small portrait, and dense local information. ‘Brindamour’ dominates the center, while the Woonsocket Opera House, dates, and performance times establish the immediate practical purpose.

Cheap monochrome printing did not mean quiet language. The claims are immense, set in typefaces that jostle for attention like barkers outside a fairground. It is advertising designed to work quickly, then disappear.

The displayed item is a reproduction of a local advertising handbill. No year appears on the surviving design, so its date remains approximate.

02

The performer

George Brindamour was an escape artist and magician active around the turn of the twentieth century. He became a prominent competitor of Houdini, performing escapes from restraints, daring bridge jumps, and theatrical illusions.

The handbill offers a reminder that theatrical history is crowded with once-famous names. Brindamour could be billed as world renowned and still require recovery by later collectors, historians, and the occasional unusually persistent hotel theatre.

“Presenting the Grandest and Most Costly Aggregation of Its Kind”
Read the narration transcript

Welcome to the Magic Poster Tour at Poe’s Magic Theatre, inside the historic Lord Baltimore Hotel.

This stop features Brindamour and His Great Company, a circa 1900–1910 piece billed as “The World Renowned Magician.”

This horizontal handbill uses heavy black display type, a small portrait, and dense local information. ‘Brindamour’ dominates the center, while the Woonsocket Opera House, dates, and performance times establish the immediate practical purpose.

Cheap monochrome printing did not mean quiet language. The claims are immense, set in typefaces that jostle for attention like barkers outside a fairground. It is advertising designed to work quickly, then disappear.

The displayed item is a reproduction of a local advertising handbill. No year appears on the surviving design, so its date remains approximate.

George Brindamour was an escape artist and magician active around the turn of the twentieth century. He became a prominent competitor of Houdini, performing escapes from restraints, daring bridge jumps, and theatrical illusions.

The handbill offers a reminder that theatrical history is crowded with once-famous names. Brindamour could be billed as world renowned and still require recovery by later collectors, historians, and the occasional unusually persistent hotel theatre.

Poster credits and references

printer
Unknown for this monochrome handbill
illustrator
Unknown / photographic portrait
designer
Unknown
date
Circa 1900–1910, provisional; handbill gives February 23–24 without year