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Color poster for The Wanda's Goddess of Mystery with birds, flowers, a brazier, and a central woman
Reproduction displayed at Poe’s Magic Theatre Tap to open full image

circa 1910–1920

The Wanda’s

Goddess of Mystery

Birds, flowers, smoke, flames, frogs, and a title with a mysterious apostrophe. The poster has brought everything.

Watch the poster story

Narrated by Dominic · Poe’s Magic Theatre at the Lord Baltimore Hotel

Watch on YouTube · Timestamps and references

01

The artwork

A woman in jeweled costume stands between white birds and a smoking brazier, framed by flowers, strange creatures, and warm orange light. The narrow format and symmetrical arrangement give her the stillness of an icon while the natural world seems to erupt around her.

Its costume and title use an imagined exotic setting rather than a specific culture. That Orientalist approach turned cultural difference into decoration for Western audiences. It is not harmless fantasy, and Poe’s Magic Theatre does not endorse it. We can recognize the color lithography’s skill while naming the assumptions embedded in the image.

02

The performer

The precise identity behind ‘The Wanda’s’ is less securely documented than the major names in this collection. That uncertainty is part of poster history. Advertising sheets often outlived the performers, companies, and local records they were meant to serve.

What survives is a carefully manufactured persona: not simply a magician, but a goddess whose authority comes from costume, stillness, and a surrounding storm of impossible life.

“Goddess of Mystery”
Read the narration transcript

Welcome to the Magic Poster Tour at Poe’s Magic Theatre, inside the historic Lord Baltimore Hotel.

This stop features The Wanda’s, a circa 1910–1920 piece billed as “Goddess of Mystery.”

A woman in jeweled costume stands between white birds and a smoking brazier, framed by flowers, strange creatures, and warm orange light. The narrow format and symmetrical arrangement give her the stillness of an icon while the natural world seems to erupt around her.

Its costume and title use an imagined exotic setting rather than a specific culture. That Orientalist approach turned cultural difference into decoration for Western audiences. It is not harmless fantasy, and Poe’s Magic Theatre does not endorse it. We can recognize the color lithography’s skill while naming the assumptions embedded in the image.

The precise identity behind ‘The Wanda’s’ is less securely documented than the major names in this collection. That uncertainty is part of poster history. Advertising sheets often outlived the performers, companies, and local records they were meant to serve.

What survives is a carefully manufactured persona: not simply a magician, but a goddess whose authority comes from costume, stillness, and a surrounding storm of impossible life.

Poster credits and references

printer
Louis Galice, Paris, credited as lithographer
illustrator
Not separately established
designer
Not separately established
date
circa 1910–1912; museum 1912, Nielsen circa 1910